What happened to The Great Comet and why did its investors know what expect a larger return? We use the financials of The Great Comet to dissect the investor/producer relationship and how to break down the basic financials of a Broadway show.
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It’s been a while since I’ve posted on the blog, but I have a good reason! We’ve been busy launching The OHenry Report with BroadwayWorld.com, a new theater podcast which gives you a one of a kind look inside the business of Broadway.
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This morning Cherry Jones and Denis O’Hare announced the 2015 Drama League Nominations. Today’s nominations marked the second awards show covering Broadway theater to announce their nominations. Here are the nominees.
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The 2015 Outer Critics Circle Nominations were announced this morning. The Outer Critics Circle is the first of the Broadway awards to announce nominations. Here are the nominees.
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Broadway news is hard to sort through. There’s Playbill, and Theater Mania, and BroadwayWorld, and Broadway.com, and NYTimes ArtsBeat…the list goes on and on. Keeping up with the headlines from all of these news sources is often overwhelming. We don’t think it should be. Follow us on twitter for latest Broadway news and analysis.
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“An Upset,” a one-act play by David Auburn first seen in New York in 2008, is being revived around the city timed to the Open, including three shows at 99 Bowery beginning Sept. 12.
“It’s always hard to put a finger on why something is suddenly in the zeitgeist,” said Ruhl, a two-time Pulitzer Prize finalist and a Tony Award nominee. “I don’t know why it is happening with tennis in theater right now. But for me, while researching the Bush dynasty, I realized tennis is such a big part of their lives and a wonderful metaphor for family competition and sibling rivalry.”
In “Scenes From Court Life,” Greg Keller plays George W. Bush as a more shrewd politician than his brother Jeb but an inferior tennis player.
“Athletes are almost another species to playwrights,” Keller said. “The writer’s world is so subjective, but for athletes there is always a winner and a loser.”
Tennis holds undeniable appeal for the theater. For starters, it can encompass widely different settings, including the Bush family compound, the public courts of the Lower East Side and Arthur Ashe Stadium.
Tennis, Keller said, is also “one-on-one, but you are not physically touching each other like in boxing.”
He added, “You are in your own little world.”
Bragen has written other works about tennis, including a monologue called “Game, Set, Match.” He said the sport offered intimacy and isolation — great fodder for writers.
“There’s a kind of dance that I feel as a player, but you are alone in your own head at the same time you are connected to other person,” Bragen said.
Ruhl said she liked the combat mixed with decorum, “the formality within the structure of competition.”
Ryan Sweeney, who played Division I tennis at the University of California, Santa Barbara, and is producing and starring in “An Upset,” said, “Tennis is a lonely sport, and Auburn’s script touches on the players’ vulnerabilities.”
